GLOBAL MUSIC ADVISORY BOARD
Em 2020 formamos o In Place of War Global Music Industry Advisory Board. Reconhecendo o poder de colaborar com a indústria da música e do entretenimento em geral a partir do incrível sucesso de nossas parcerias existentes, quisemos formar um coletivo de indivíduos engajados, entusiastas e compassivos para apoiar e orientar nosso trabalho. Em resposta à pandemia, trabalhando com organizações como Beatport, Insomniac Events e Shambala, arrecadamos £150k para o nosso Fundo de Emergência COVID através da captação de recursos ao vivo, concedendo subsídios para os responsáveis pela mudança em nossa rede com a necessidade mais urgente. Sabemos que, através da colaboração e da solidariedade, a diferença que podemos fazer para as comunidades musicais em lugares de conflito, tem muito mais impacto. Uma das formas mais poderosas de fazer isso é estabelecendo um movimento mundial de profissionais criativos que se preocupam e querem contribuir para uma mudança positiva. Assim, unimos os líderes da indústria musical internacional no apoio ao trabalho de In Place of War e já começamos alguns projetos fantásticos como resultado.
Amy Van-Baaren
Amy é Chefe de Comunidade na Resident Advisor. Ela está sediada no Reino Unido.
Fiona McGugan
Fiona é assistente jurídica da Simons Muirhead Burton LLP. Tendo vindo de sua função como Diretora de Operações e Estratégia no Music Managers Forum UK, sua experiência inclui gerenciamento de turnês, parcerias de marcas, sincronia e defesa de artistas. Fiona está sediada no Reino Unido.
Jamie Franklin
Jamie é Gerente de Relações com os Artistas: Europa na Roland Instruments. Ele está baseado em Brighton, no Reino Unido.
Janesta Boudreau
Janesta começou na indústria musical canadense há quase 20 anos. Com formação em produção de álbuns e gerenciamento de artistas, ela se mudou para a supervisão musical de filmes e videogames no Canadá e no Reino Unido com sua empresa, Rocking Horse Road Productions. Ela agora está baseada nas Ilhas Turks e Caicos.
Jessica Strassman
Jessica is a Producer-Manager, A&R, and consultant based in Los Angeles. Prior to starting her own company, she worked in leadership & creative roles at TikTok, BandLab, Columbia Records and Twitch.
Jonas Sudendorf
Jonas é Chefe de Comunidade & Parcerias na Native Instruments, fabricante líder de software e hardware para produção de áudio baseado em computador e DJing. Ele está sediado em Berlim.
Julien Fehlmann
Julien é o fundador da unidade de gravação e produção musical Studio Mécanique, na Suíça. Após sua recente formação acadêmica, ele agora gerencia projetos de arte e música em regiões de conflito para diferentes organizações.
Kim Astley-Cooper
Kim is the founder of PR/storytelling companies The Grand Palace and Super Cat PR and based in London.
Kimberley Rowell
Kim é editor assistente, BBC Three, BBC News & Current Affairs, no Reino Unido e na emissora mundial, a BBC. Ela está sediada no Reino Unido.
LAURA JONES
Laura é Gerente de Produção & CEO/Fundadora da Little Underground Management. Ela está sediada em Nova York.
Lisa J. Robinson
Lisa has nearly 30 years of experience in music publishing. She is the Founder of Lisa's Living Room and based in New Jersey.
MARCUS ROSS
Marcus é Gerente Sênior de Licenciamento e Parcerias da FUGA, o maior distribuidor de música de serviço completo do mundo. Ele está sediado em Amsterdã.
Peggy Dold
Peggy tem mais de 20 anos de experiência como executiva musical nos mercados de música geral e hispânica. Ela já trabalhou em vários mercados globais e está atualmente baseada em Nashville, EUA.
Shannon Herber
Shannon é diretor, A0K1VERSE, da empresa NFT de Steve Aoki. Ela foi gerente de gênero de Pop & Dance/Electronic Awards, na The Recording Academy (GRAMMYs), e está sediada em Los Angeles.
TOMMY YOUNG
Tommy is a Principal Engineer at Google and has worked in the digital video advertising industry for well over a decade. Avid lover and supporter of music and the arts 24/7, a musician himself in a past life. In addition to the service for In Place of War, he serves on the board of directors at HERE, a non-profit multi-dimensional theatre in lower Manhattan. Proud father to two cats (Dan and Darlene).
Verity Mayes
Verity puts the needs of artists, labels and suppliers at the forefront as Director of Strategy for Music Services, striving to empower content providers to succeed across the Beatport ecosystem. She has an extensive background across electronic music, both as a DJ/artist - releasing as Maze on labels including Permanent Vacation and as part of Maze&Masters (residents for He.She.They. worldwide) - and having worked across product, marketing and events strategy and management for companies including Ministry of Sound, Solid Grooves, Mobilee, and Rinse FM.
Vickie Amiralis
Vickie é uma artista, curadora e gerente de projetos. Ela trabalhou anteriormente como Label & Project Manager na The Vinyl Factory e tem colaborado com outros artistas em numerosos projetos e publicações internacionais. Ela está baseada em Buckinghamshire, no Reino Unido.
Jamie Franklin, Roland:
I've been part of the GAB for over 2 years, and it's safe to say working with IPOW has changed my life. We've been able to support change-makers in several locations including Colombia, South Africa and the Middle East. Giving people in areas of conflict or extreme poverty the keys to unlock their artistic potential is one of our goals, including showing them how to use the equipment and getting mentoring from our global A list artists. Enabling a safe environment to create is essential for the future of our partnership, and I hope it never stops!
Janesta Boudreau, Independent Music Industry Exec:
In the day-to-day it's easy to lose sight of how music and art is not just a business. It's also a life saver. Coming from an artist management background, and then on to music licensing, I have always enjoyed being a connector-of-dots. In my advisory role on the GAB with In Place of War, being able to introduce people from my wider network to those making REAL change in their communities - whether it be for an equipment donation, setting up an artist collaboration, or simply for advice - I can honestly say, it's the best feeling in the world, and all parties get something out of the interaction. Humans helping humans, with little effort but with a whole lot of love.
Kim Rowell, ITN productions:
IPOW is a game-changer; through the integral projects, initiatives and campaigns they run, they’re making enormous impact to people’s lives on a global scale. I’ve had the privilege of witnessing this work first-hand with the IPOW team in Colombia, and it was life-changing – the difference it makes and the insight and knowledge I gained shifted my perspective and expanded the restrictions I’d place on my own realms of possibility. Inspiring doesn’t come into it, these people are remarkable.
You can’t underestimate the importance of offering communities the tools and opportunities to create change for themselves, it’s empowering, and IPOW is leading the way in making a real, tangible difference which is oh-so-important and very much needed in today’s society.
Tommy Young, Google:
IPOW's mission resonates so strongly with me that I feel compelled to be involved in their cause(s) as much as I possibly can. The work they are doing is critical, especially with the focus on areas of the world that need it most. I try to bring the lessons learned and insights from the work to my day-to-day, and try to think about how this work can be expanded to other areas that might not seem in need, as I think the whole world could benefit from this type of collaboration, nurturing, and change-making.
Shannon Herber, A0K1VERSE:
Supporting and collaborating with IPOW is important to me because the work they do literally changes lives and shows how powerful art can be as a force for good in the world.
Being involved with IPOW has impacted my work tremendously - it continuously reminds me to think globally, to add a charitable component to our projects whenever possible, and to always find joy while working in the music industry. IPOW allows us to build a global music community while uplifting each other through the alliance of art and commerce.
Julien Fehlmann, International Relations & Music Association:
Witnessing In Place of War's work brings more than priceless inspiration. It enables relationships to bud, ideas to sprout, and projects to flourish. It sustains the sharing of views and practices across the world that nurtures creativity and imagination. It bolsters thinking thanks to the inspirational people one meets. IPOW’s sensible and impactful approach to development through cultural means proves that sound does not need to be costly.